Abigail Wood, Rachel Harris Introduction: Sharing Space? Sharing Culture? Applied Experiments in Music-Making Across Borders
Anne K. Rasmussen Taking Our Show on the (Silk) Road: The William and Mary Middle Eastern Music Ensemble tours Morocco and Oman!
Abigail Wood From Klezmer to Dabkah in Haifa and Weimar: Revisiting Disrupted Histories in the Key of D
Michael Frishkopf Forging Transnational Actor Networks through Participatory Action Research: Responsibility to Protect via Musical Rehumanisation in Post-War Liberia1
Jasmine Hornabrook Cultural Engagement, Intercultural Musical Exchange and Dialogue in “Songs of the Saints: Tamil Traditions and New Creativities”
Samantha Dieckmann, Jane W. Davidson Organised Cultural Encounters: Collaboration and Intercultural Contact in a Lullaby Choir
Saeid Kordmafi Reviving the Mukhammas and Thaq?l: Collaborative Composition on Long Metric Cycles Across the Iranian-Tajik Divide
Evan Rapport Theodore Levin, Saida Daukeyeva and Elmira Köchümkulova (eds.), The Music of Central Asia (2016)
Bennett Zon Ronald Radano and Tejumola Olaniyan (eds.), Audible Empire: Music, Global Politics, Critique (2016)
Daniel Schnee Ragnhild Brøvig-Hanssen and Anne Danielsen, Digital Signatures: The Impact of Digitization on Popular Music Sound (2016)
Médar Serrata Sydney Hutchinson, Tigers of a Different Stripe: Performing Gender in Dominican Music (2016)
Bernard Ellorin Christine Bacareza Balance, Tropical Renditions: Making Musical Scenes in Filipino America (2016)
