GROESBECK, Garrett. “Those Pieces Are Played Once, And Never Again”: Reimagining the Composer/Performer Binary in Contemporary Japanese Music Training. the world of music (new series), Göttingen, Germany, v. 15, n. 1, 2026. DOI: 10.59998/1-2026-15-2758. Disponível em: //wom-journal.org/wom/article/view/2758. Acesso em: 14 jul. 2026.